Commission a Piece
Glassblower gaffer viewed from behind, blowpipe extending toward glowing glory hole, molten glass glowing amber at the tip

Breath.

Furnace Studio — Est. 2011
Chapter I

The Amber
Pendant Series

Commissioned for a private residence in Hudson, New York. The client wanted light that felt alive — something that caught the late afternoon sun the way a gather catches the furnace. Seven pendants, each blown in a single session, each carrying the mark of a single breath.

Glassblower gathering molten glass on a blowpipe from the furnace, the gather glowing bright amber orange
Close-up of molten glass being shaped on a steel marver table, glowing orange against dark studio
Glassblower rotating punty rod with vessel taking form, studio tools visible in background

Process documentation — Furnace Studio, Hudson NY, 2024

Seven hand-blown amber glass pendant lights hanging above a walnut dining table in a modern interior, warm evening light

Installed — Private Residence, Hudson NY

MediumBorosilicate, amber iron oxide
Dimensions8″ – 14″ diameter, varied
EditionSet of 7, unique
Year2024
StatusInstalled
— The Artist
"Glass holds the moment of its making. Every bubble, every fold in the wall — that's the breath that shaped it, preserved in silica forever. I'm not designing objects. I'm capturing instants."

Marcus Veil — Studio Founder, Furnace

Chapter II
Glassblower using jacks to open the neck of a vessel, molten glass glowing, studio darkness behind

Vessel forming — the neck opening, temperature 1,900°F

Vessel
Studies in Form

Twelve vessels for a group exhibition at the Aldrich Contemporary Art Museum. Each piece interrogates the same question from a different angle: what is the minimum intervention required to suggest interior space? The answer changes every time the gather hits the blowpipe.

MediumSoda-lime, cobalt & manganese
Edition12 unique vessels
ExhibitionAldrich Contemporary, 2023
Twelve hand-blown glass vessels arranged in a gallery vitrine at the Aldrich Contemporary Art Museum, lit from below, colors ranging from cobalt to manganese purple

Installation view — Aldrich Contemporary Art Museum, Ridgefield CT

Close detail of cobalt blue hand-blown vessel, showing the subtle wall thickness variation and trapped air bubbles
Manganese purple vessel reflecting gallery light, sculptural form suggesting an opening toward the viewer
— On Commission
"When a collector commissions a piece, I ask them to come to the studio. Not to watch me perform — to understand that what they're buying is a conversation between fire, gravity, and the particular quality of light that afternoon. No two days in the hot shop are the same."

Marcus Veil — on the commissioning process

Chapter III
Wide view of glassblowing studio at golden hour, furnace glowing amber in the background, artist's silhouette at the bench, molten glass on the end of a long punty rod

Studio floor — Furnace, Hudson NY — 4:47 PM, October

Architectural
Chandelier, SoHo

The most ambitious commission to date. Sixty-three individually blown components, each a unique cell in a larger organism. Installed in the atrium of a converted cast-iron building on Mercer Street — the piece required four days of rigging and two weeks of calibration to achieve the intended light distribution.

Gathering molten glass for one of sixty-three chandelier components, each gather timed to match the previous
Shaping a chandelier cell on the bench, the jacks opening the form to match the template diameter
Completed chandelier cells cooling in the annealing kiln, dozens of glass forms in graduated sizes

63 components — 14 days in the hot shop — 400 lbs of glass

Completed chandelier installed in SoHo cast-iron atrium, sixty-three hand-blown glass cells catching afternoon light from the skylights above, shadows cast on original brick walls

Installed — Private Atrium, Mercer Street, SoHo NY — 2024

Components63 unique cells
MediumSoda-lime, clear & smoked
Span11 ft diameter
Year2024
The Studio Monograph

40 pages.
Every piece. Every process.

The complete Furnace case study archive — process photography, material notes, installation documentation, and first-person commentary from the studio floor. A working document for designers, curators, and collectors who want to understand the work before commissioning it.

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